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Project Report On â€Å"FINANCIAL INCLUSION [PRADHAN MANTRI JAN-DHAN YOJANA (PMJDY)] WITH REFERENCE TO JAMMU AND KASHMIR BANK LIMITED SRINAGAR† By RAIEES BASHIR USN 1HK13MBA06 Submitted to VISVESVARAYATECHNOLOGICALUNIVERSITY, BELGAUM In partial fulfillment of the requirements for the award of the degree of MASTER OF BUSINESS ADMINISTRATION Under the guidance of Internal Guide External Guide Dr. S. Baskaran Mr. Imran (Relation Executive) Faculty, MBA Department (financial inclusion department) HKBK, CE, Bangalore Jammu and Kashmir Bank, Srinagar DEPARTMENT OF MBA HKBK COLLEGE OF ENGINEERING BANGALORE-45 2013-2015 DECLARATION I, Raiees Bashir, hereby declare that the Internship report entitled â€Å"(FINANCIAL INCLUSION [PRADHAN

Community School Model And Community Development Essay

Jacobson (2014) suggest that community schools that partner with several organizations, may have limitations. These limitations may include an inability to appropriately categorize the role of various organizations and their capacity for contribution. Affiliate members may not fit into a prescribed category. Therefore, accounting for the various changes in the dynamics and the degree to which various organizations can contribute individual schools, students and residents of low-income neighborhoods, can prove difficult (Valli, Stefanski, Jacobson, 2014). In some instances, literature which highlights a particular form of community school may also be focused on a particular agenda, and therefore, not necessarily represent all the characteristics of school-community partnerships (Valli, Stefanski, Jacobson, 2014). Family and interagency collaborations promote the coordination of service delivery including educational, health, and social services for families and students. Full-service schools deliver school-based services, focusing on strengthening support networks (Valli, Stefanski, Jacobson, 2014). According to the authors, the full-service community school model and community development model both stress incorporating communities in partnership and school improvement. Although it is helpful in accounting for evaluation tools to distinguish categories of community partnerships, perhaps the distinctions made regarding the theory of action and requirements ofShow MoreRelatedCommunity Conceptual Model1282 Words   |  6 PagesCommunity Conceptual Model Community Conceptual Model Conceptual models are effective guides and tools used for nursing practice. They merge concepts and ideas providing a framework for how to think or demonstrate the elaborate connections between concepts, structures, or a system. They categorize existing interrelationships amid concepts into ways that can effectively direct actions and interventions. 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Prior to this effort there were many ineffective practices that occurred within the nation’s schools. According to Girod, G.R., Girod, M (n.d.), there was a time that students were measured on such things as a spelling test. If you spelled a certain number of words correctly you were considered a good speller, but did that mean you actually understood the context of

An Avant Garde Critique Free Essays

Year 12 Film and Television A Touch of Avian-Garden – Film Critique Avian Garden is often defined as a new expression that deviates from the cultural ‘norm,’ but that doesn’t tell us quite why we appreciate it. Avian Garden is a bit like poetry. It uses aesthetic, symbolic, artistic, or ambiguous content to evoke and signify meanings and feelings in addition to what is ostensibly interpreted. We will write a custom essay sample on An Avant Garde Critique or any similar topic only for you Order Now For example, in the case of films, rather than having information handed to the viewer on a platter of dialogue, the narrative is often delivered in a way that is not immediately apparent, UT ultimately more meaningful. This symbolism is one Avian Garden technique amongst many. Two films, Being John Milkmaids and Scott Pilgrim vs.. The World, will be critiqued and the Avian Garden sensibilities of both will be analyses. Directed by Spike Zone and written by Charlie Kaufman, Being John Milkmaids is a comedy – drama film that revolves around the film technique of characterization and identity. Craig Schwartz, an unemployed puppeteer, whose wife Lotto does not return his affections, gains a file clerk Job in the eh floor of a New York office building. Soon enough, in his office, Craig discovers a modern-day rabbit hole, and inside, he gains the ability to experience life through actor John Mammalian’s mind. It’s a surreal, subversive, and wonderfully original premise, the execution of which encourages our minds to ponder how our lives would change if this fantasy element existed. Throughout Being John Mammalian’s later acts, the strange fantastical portal to the mind of Milkmaids is explored in a very complex manner; it leads us to question what is right and wrong, our own morals, and life itself. Some viewers may find the whole dead of the film consistently questionable and, though it requires some suspension of disbelief, the execution of the character arcs is beautifully weaved into the narrative. The arc of Craig, especially, undergoes a significant evolution from a humble and lonely husband to a master manipulator, which is a complete and effectively surreal change of character. The symbolism that Craig, a puppeteer, happens to find a portal which he eventually manipulates is clever and it’s nice that the writers decided to make it integral to the story and not shove it in our faces, which is how symbolism hooked be explored. It’s not there Just so the director can say, â€Å"Look at this clever thing I did! † We sympathies for Craig because he’s miserable and because the essence of a likable protagonist is that their reactions and feelings in some way reflect our own. Charlie Kaufman and Spike Zone know this. We sympathies with Craig loneliness, and his motivation to be happy with himself and his career, as the sadness is relatable. Being John Milkmaids also employs an incredibly bleak style, despite its humor (albeit tragic humor). Within most of the settings and to an extent, though post production, the color scheme of every scene is typically washed out, lifeless, and uninteresting. It’s a representation of the Lotto’s, Crag’s, and Ammine’s inner feelings and personal lives, which effectively stirs a feeling of despair inside of us. The world of Mammalian’s mind however, is a stark contrast. Although the depictions of Mammalian’s life isn’t by any meaner exciting , the characters deliver such a raw desire manipulate it in some way, that it too invests us in the surreal world that is Craig plight. The same goes for many other Avian Garden techniques employed by Zone, techniques that incorporate comedy, isolation, and despair. Being John Milkmaids is an unconventional movie to say the least, which cleverly explores the relatable subject matter of identity. Spike Zone was able to achieve this through intensely tragic and bleak characters, their believable yet austere motivations, and symbolic and meaningful visuals. The culmination of these film techniques and the philosophical subject matter that is identity has brought us an unconventional and metaphysical experience titled Being John Milkmaids. The genre of Avian Garden is evicted in a much less philosophical, more kick-ass manner in Scott Pilgrim vs.. The World, a comedy/action film co-written, produced, and directed by Edgar Wright, based off the comic series by the same name. Young and eponymous protagonist Scott Pilgrim lives in Toronto, Canada and plays bass for his band, Sex Bob-mob. He soon meets Ramona Flowers, a girl who recently appeared in his dreams. Scott promptly falls in love upon meeting her and is tasked with defeating her seven evil exes in order to be with Ramona. Scott Pilgrim vs.. The World is a witty interplay of Tyler, delightfully unconventional storytelling, wicked cool fight scenes, as well as some pretty heartfelt moments. Edgar Wright manages to embody the Avian Garden genre in his unique directing, making full use of Bryan Lee Anomaly’s tragic and entertaining characters from the comics, and Jam-packing every scene with cunning references and symbolism. Oh, the symbolism. The entire movie is a call-back to old- school video games and comic books, with many tropes too, such as the alliteration in the names (Wallace Wells, Lucas Lee, Gideon Graves†¦ . Another trope is that Scott lays a game called Ninja Ninja Revolution in the first act, the heads-up-display elements and announcer of which appear during the final fight scene. Moreover, Mega Coot’s (the manifestation of Coot’s repressed flaws and callousness) appearance is also a call back to the fact that Scott can’t beat ‘Mega Ninja’ in the game. However, Sc ott does not fight Mega Scott, as by the end of the film, he earns the power of self-respect’ and is able to accept the things he runs from, a nice way to incorporate humor into an important character development. When characters do eke it out however, each fight scene is a stimulating cascade of color and glorious video game sound effects, the style of each being innovative enough from the last so they are always thrilling, while at the same time, unconventional. Ramona actually retrieves an enormous hammer from her shoulder bag to battle on of the evil exes, one of many instances of video game logic, something Wright is very fond of. There are too many number references to count. As Scott fights the 7 evil exes, the scenes with each ex make many subtle references to their respective numbers. Lucas Lee, he second evil ex, points at Scott Pilgrim with 2 fingers, fights alongside his stunt doubles, and punches Scott two times upon approaching him. Todd, the third evil ex, has 3 solos in his bass battle with Scott, launches Scott through 3 walls with his vegan powers. And, the 7th evil ex, Gideon Graves, has his glasses broken with the crack resembling the number 7, and so on. Conversely, something more meaningful is the representation of the character’s identities and feelings, a method of storytelling that doesn’t actually tell, rather it shows. Ramona is seen with her subspace’ bag throughout the majority of the film, which represents her emotional baggage. Only when she stops repressing her feelings and past is she seen without it. She is also shown to color her hair differently throughout the three acts, pink representing sensitivity and romance, and green representing hope and harmony in the last. One could spend days analyzing the symbolism-drenched imagery and subtle visuals, further discovering the manner in which Scott Pilgrim vs.. The World clearly and cleverly epitomizes Avian Garden. The medium of films is able to depict a Tory in a linear and passive manner, which is why we watch them – to experience a story and be entertained. However, there is incredible potential to add to and defy the conventions of passive storytelling through the use of Avian Garden techniques. When this is applied to cinema, we experience a more meaningful, emotional, or thought-provoking tale, something that is now tantamount to excellent storytelling. Such storytelling is successfully represented in the films Being John Milkmaids and Scott Pilgrim vs.. The World directed by Spike Zone and Edgar Wright respectively. How to cite An Avant Garde Critique, Papers

Ameriacas Involvement In WWII Essay Example For Students

Ameriacas Involvement In WWII Essay Americas involvement in World War TwoWhen war broke out , there was no way the world could possibly know the severity of this guerre. Fortunately one country saw and understood that Germany and its allies would have to be stopped. Americas Involvement in World War two not only contributed in the eventual downfall of the insane Adolph Hitler and his Third Reich, but also came at the precise time and moment. Had the united states entered the war any earlier the consequences might have been worse. Over the years it has been an often heated and debated issue on whether the united states could have entered the war sooner and thus have saved many lives. To try to understand this we must look both at the peoples and governments point of view. Just after war broke out in Europe, President Roosevelt hurriedly called his cabinet and military advisors together. There it was agreed that the United states stay neutral in these affairs. One of the reasons given was that unless America was directly threatened they had no reason to be involved. This reason was a valid one because it was the American policy to stay neutral in any affairs not having to with them unless American soil was threatened directly. Thus the provisional neutrality act passed the senate by seventy-nine votes to two in 1935. On August 31, Roosevelt signed it into law. In 1936 the law was renewed, and in 1937 a comprehensive and permanent neutrality act was passed (Overy 259). The desire to avoid foreign entanglements of all kinds had been an American foreign policy for more than a century. A very real geographical Isolation permitted the United States to fill up the empty lands of North America free from the threat of foreign conflict(Churchill 563). Even if Roosevelt had wanted to do more in this European crisis (which he did not), there was a factor too often ignored by critics of American policy-American military weakness. When asked to evaluate how many troops were available if and when the United States would get involved, the army could only gather a mere one hundred thousand, when the French, Russian and Japanese armies numbered in millions. Its weapons dated from the first World War and were no match compared to the new artillery that Germany and its allies had. American soldiers were more at home with the horse than with the tank (Overy 273). The air force was just as bad if not worse. In September 1939 the Air Corps had only 800 combat aircrafts again compared with Germanys 3600 and Russias 10,000 . American military Aviation (AMA) in 1938 was able to produce only 1,800, 300 less than Germany, and 1,400 less than Japan. Major Eisenhower, who was later Supreme commander of the Allied forces in the second World War, compl ained that America was left with only a shell of military establishment (Chapman 234 ). As was evident to Roosevelt the United states military was in no way prepared to enter this European crisis. Another aspect that we have to consider is the peoples views and thoughts regarding the United States going to war. After all let us not forget that the American government is there for the people and by the people and therefore the peoples view did play a major role in this declaration of Neutrality. In one of Roosevelts fireside chats he said We shun political commitments which might entangle us In foreign warsIf we face the choice of profits or peace-this nation must answer, the nation will answer we choose peace ,in which they did. A poll taken in 1939 revealed that ninety-four per cent of the citizens did not want the united states to enter the war. The shock of World War one had still not left ,and entering a new war, they felt, would be foolish. In the early stages of the war American Ambassador to London was quoted saying Its the end of the world, the end of everything ( Overy 261). As Richard Overy notes in The Road To War, this growing estrangement from Europe was not mere selfishness. They were the values expressed by secretary of state, Cordel Hull: a primary interest